IIPC Debate 17 September

IIPC Debate #56
Wed 17 September 2-4 pm, Janus Hall (Kaivokatu 12, Turku)
Professor Mark Katz (University of North Carolina):
Hip-hop diplomacy

The lecture relates to Mark Katz’s recent work as a director of a new program funded by the U.S. State Department that sends American hip-hop artists to use music and dance as a means to foster cultural exchange and conflict resolution to underserved communities around the world.

Mark Katz is professor at the Department of Music, Adjunct Professor of Communication Studies, and Director of the Institute for the Arts and Humanities at the University of North Carolina at Chapel Hill (US). He has written many seminal publications on music, technology and culture. He is the author of Capturing Sound: How Technology has Changed Music (2004/2010), The Violin: A Research and Information Guide (2006), and Groove Music: The Art and Culture of the Hip-Hop DJ (2012). He co-edited (with Timothy Taylor and Tony Grajeda) the collection Music, Sound, and Technology in America (2012). He is the editor of Journal of the Society for American Music, a senior editor of Oxford Handbooks Online, and a member of the National Recording Preservation Board.

In 2013, Katz was awarded a grant of nearly a million dollars from the U.S. Department of State to create and run Next Level, a program that sends American hip-hop artists abroad to foster cultural exchange, conflict resolution, and entrepreneurship. In 2014¬15 the program will travel to Bangladesh, Bosnia and Herzegovina, India, Montenegro, Senegal, Serbia, and Zimbabwe. (Follow Next Level’s global activities at https://www.facebook.com/NextLevelUSA )


The School of History, Culture and Arts Studies of the University of Turku is pleased to launch the Popular Culture Studies Master’s Degree Pathway, a collaboration between the Departments of Cultural History, Media Studies and Musicology, with a day-long seminar on Tuesday, the 9th of September in the Janus Lecture Hall in Sirkkala Campus, Kaivokatu 12.
The Popular Culture Studies Master’s Degree Pathway (http://popstudies.utu.fi/) is a two-year programme taught entirely in English, offering several theoretical and historical perspectives into the study of popular culture and its various genres. The seminar, This is Popular!, celebrates and launches the pathway’s inaugural year and is a joint effort between the participating departments and the International Institute of Popular Culture (IIPC, http://iipcblog.wordpress.com/), a multi-disciplinary research unit within the School of History, Culture and Arts Studies, focusing on research into popular culture, urban subcultures, cultural industries and fandom.
The seminar will be opened at 12.15 by Professor Susanna Paasonen of the Department of Media Studies, followed by three keynote speakers, each invited by one of the collaborating Departments. Each speaker will give a 45-minute talk about their chosen subject in popular culture, followed by open discussion:

The Department of Cultural History welcomes its keynote speaker Dr Marilyn Motz. Dr Motz is a PhD in American Culture and the Associate Professor and Chair of the Department of Popular Culture Studies of the College of Arts and Sciences in Bowling Green State University, Ohio. Among her research projects are the cultural meaning and history of the Barbie doll, humour in the early 20th Century, the status of women in American homes in the 19th Century, women’s folk culture and the folk culture of the Great Lakes area. The title of Dr Motz’s talk is “Imagining Montevallo: Interpreting the Personal Writing of a Couple Caught in the Guerrilla Fighting of the American Civil War”, a part of a book-length research project of the correspondence of a Missouri husband and wife in the 1860s.

The Department of Media Studies welcomes its keynote speaker Dr Sharif Mowlabocus. Dr Mowlabocus earned his PhD in Media Studies and works as Senior Lecturer of Media Studies / Digitalmedia in the University of Sussex. He has published extensively in digital culture, porn research, queer theory and gender and sexuality and acts as a Committee Member on the International Academic Advisory Board and as an Editorial Board Member on the Journal of Porn Studies. The title of Dr Mowlabocus’ talk is“Indifferent Cats and Friendly Fire: The Cultural Politics of Curating Pornography”.

The Department of Musicology welcomes its keynote speaker Dr Claudia Gorbman (Professor of Film Studies at the University of Washington Tacoma). She is arguably the most prominent scholar in the field of film music studies. Her Unheard Melodies: Narrative Film Music (1987) largely created the foundations for the academic study of film music, and it remains the most widely referenced book when discussing film music studies. In addition to her many seminal publications on film music, she has written, for instance, on audiovisuality, women in film, and French and American cinema. Gorbman has also translated to English several of Michel Chion’s best known books on film music and sound. Her recent activities include co-editing The Oxford Handbook of New Audiovisual Aesthetics (2013, Oxford University Press) together with John Richardson and Carol Vernallis and work on a new edition of Unheard Melodies. The title of Professor Gorbman’s talk is “Movie Songs”.

Any questions about the Seminar or the Popular Culture Studies Master’s Degree Pathway can be directed to the study coordinator, Teo Välimäki (teheva@utu.fi).

Modern Heavy Metal -conference (Helsinki, June 8-12, 2015) cfp-deadline approaching

Markets, Practices and Cultures

International Academic Research Conference
June 8-12, 2015

Hosted by:
Aalto University School of Business

Co-hosted by:
University of Helsinki; IIPC / University of Turku; Sibelius Academy / University of the Arts Helsinki; Åbo Akademi University in Turku; Finnish Jazz & Pop Archive


Since its birth over 40 year ago, the music genre of heavy metal and hard rock has become not only a significant sub-culture but also an acknowledged subject for academic studies in various fields, even an interdisciplinary field of study in its own right. In the last few years, we have witnessed an increasing amount of events and publications in the metal academia, addressing the multiplicity of metal cultures, practices, and markets. The “International Society for Metal Music Studies” (ISMMS) and Metal Music Studies journal have also been established. In April 2013, the members of metal academia gathered in the “Heavy Metal and Popular Culture Conference”, hosted by the Bowling Green State University, in Ohio U.S. A decision was made there to bring the next main conference to Helsinki, Finland, the renowned metal capital of the Northern hemisphere.

Metal music has suffused to multiple directions, different markets and cultural layers – remaining marginal in some while enjoying mainstream success others. It has taken many forms, created a countless number of subgenres and representations, flirted and connected with other music genres and cultural products. Global and transnational communities have come into being simultaneously with the birth and development of local scenes. Moreover, the evolution of metal, as any other music genre, is impacted by the technological and economic revolution that has radically reshaped the forms of music production, delivery, consumption and culture – let alone the role of social media in communication, community building and fandom. Altogether, metal is embracing new fans and markets, creating new practices, forming new cultures, while treasuring the strong and polymorphous legacy of the genre. This brings along plenty of new challenges and opportunities for metal music studies in different genres.

The “Modern Heavy Metal” (MHM) conference will review, explore and discuss the current standing of metal; the plethora of its forms, cultures, practices, and markets. The conference will consist of research presentations, keynote speeches, industry/artist/media panels and other metal-laden program. In addition to the academic contents, the plan is to create close connections to the metal practice: the artists, their managers and other stakeholders, media, as well as the general metal audience. The event week will most likely include other metal entertainment spread over the evenings and the weekends.

IIPC Visiting Fellow, Autumn 2014

We are delighted to announce that Professor Gregory Seigworth (Millersville University, USA) has been appointed as the second IIPC Visiting Fellow.

Gergory Seigworth is Professor of Communication Studies in the Department of Communication and Theatre. He has published widely in journals such as Cultural Studies, Architectural Design, Culture Machine, and m/c. He has contributed chapters to various books, including Deleuze: Key Concepts, Animations of Deleuze and Guattari, and New Cultural Studies. Most recently he has co-edited, with Dr. Melissa Gregg (University of Sydney), a collection of essays on affect and cultural theory, The Affect Theory Reader (2011, Duke University Press).

During his stay at the University of Turku, in November and December 2014, Professor Seigworth will give two IIPC Debate lectures, and has a weekly research seminar for the Master’s Degree Pathway on Popular Culture Studies, PhD Programme in Popular Culture Studies (PPCS), and other PhD students of IIPC affiliated departments.

IPC Research Clinic #8: European Right Wing Heritage and Popular Culture

IIPC Research Clinic #8: European Right Wing Heritage and Popular Culture
Tue the 3rd June, 16:00-18:00, Seminar Room Litzen (E117, Minerva Building, Kaivokatu 12, Turku).

There will be two talks to generate discussion:

Dr Eva Kingsepp (Department of History, University of Stockholm): This Land was made for War': Western popular history narratives of the Second World War in North Africa and the Middle East

Professor Kees Ribbens (NIOD Institute for War, Holocaust and Genocide Studies / Center for Historical Culture, Erasmus University Rotterdam): Ebay as a remedy for the historian’s blind eye? Understanding popular culture of the World Wars

EUPOP 2014 (London, July 29-31), 2nd cfp

2nd Call for papers: Deadline: Friday, May 30th, 2014

Individual paper and panel contributions are welcomed for the third annual international conference of the European Popular Culture Association (EPCA), to be held at the University of the Arts, London UK ( 272 HIGH HOLBORN , London WC1 )
from July 29th – 31st 2014.

EUPOP 2014 will explore European popular culture in all its various forms. This could include European Film (past and present), Television, Music, Celebrity, The Body, Fashion, New Media, Comics and Popular Literature, Sport, Heritage, and Curation. The special streams will include themes such as Violence (Horror), Commodification of Popular Culture, Sport, Spirituality (the Occult), Nationalism and its Ideological Forms, Paganism (Celtic Studies, Nordic Mythologies), and Technology.

There will be opportunities for networking, publishing, and developing caucus groups within the EPCA. Presenters at EUPOP 2014 will be encouraged to develop their papers for publication in a number of Intellect journals, including the EPCA’s Journal of European Popular Culture. Journal editors will be working closely with strand convenors – a full list of Intellect journals is available at: http://www.intellectbooks.com

Papers and Complete Panels for all strands will be subject to peer review. Proposals for individual presentations must not exceed 20 minutes in length, and those for panels – not more than 90 minutes. In the latter case, please provide a short description of the panel along with individual abstracts. Poster presentations and video projections are also warmly welcomed.

Proposals comprising a 300 word abstract, your full name, affiliation, and contact details (as a Word-file attachment, not a PDF) should be submitted to Pamela Church Gibson (europop@arts.ac.uk – the same address is available for general administrative queries) until March 28, 2014. Receipt of proposals will be acknowledged via e-mail.

The conference draft program will be announced at the end of May, 2014, along with the conference registration and accommodation details.

Keynote speakers: Information will be posted shortly.

The European Popular Culture Association

The European Popular Culture Association (EPCA) promotes the study of popular culture from, in, and about Europe. Popular culture involves a wide range of activities, material forms and audiences. EPCA aims to examine and discuss these different aspects as they relate both to Europe and to Europeans across the globe, whether contemporary or historical.

Kind Regards,
EPCA President, Pamela Church Gibson, p.church-gibson@fashion.arts.ac.uk
Journal of European Popular Culture editor, Graeme Harper, graeme@eupop.org
PCA-Finland Director, Adjunct Professor Kari Kallioniemi, kakallio@utu.fi
IIPC Coordinator Kimi Kärki, kierka@utu.fi