This event, that was planned for April 14, 2020, has been cancelled.
Jagiellonian University, July 22nd – 24th, 2020
Deadline: 29th February, 2019
Individual paper and panel contributions are welcomed for the ninth annual international conference of the European Popular Culture Association (EPCA), to be held at Jagiellonian University, Kraków, Poland, July 22nd – 24th, 2020.
EUPOP 2020 will explore European popular culture in all its various forms. This includes, but is by no means limited to, the following topics: Climate Change in Popular Culture, European Film (past and present), Television, Music, Costume and Performance, Celebrity, The Body, Fashion, New Media, Popular Literature and Graphic Novels, Queer Studies, Sport, Curation, and Digital Culture. We also welcome abstracts which reflect the various ways of how the idea of relationship between Europe and popular culture could be formed and how the current tur-moil in European identity (e.g. the legacy of totalitarianism and fascism), union, its borders and divisions are portrayed in popular cultural themes and contents.
Papers and complete panels for all strands will be subject to peer review. Proposals for individ-ual presentations must not exceed 20 minutes in length, and those for panels limited to 90 minutes. In the latter case, please provide a short description of the panel along with individual abstracts. Poster presentations and video projections are also warmly welcomed.
There will be opportunities for networking and publishing within the EPCA. Presenters at EUPOP 2020 will be encouraged to develop their papers for publication in a number of Intellect journals, including the EPCA’s Journal of European Popular Culture. A full list of Intellect journals is available at:
Proposals comprising a 300-word abstract, your full name, affiliation, and contact details (as a Word-file attachment, not a PDF) should be submitted to Kari Kallioniemi (firstname.lastname@example.org) by 29.02.2020. Receipt of proposals will be acknowledged via e-mail, and the decision of ac-ceptance will be notified within two weeks of submission.
The conference draft program will be announced in May 2020, along with the conference regis-tration and accommodation details. The likely conference fee will be 150 euros (student), and 200 euros (other). The fee includes coffees, lunches, evening reception & dinner, and EPCA Membership (includes subscription to the European Journal of Popular Culture, Intellect Press).
The keynote speakers:
Dr Tomasz Z. Majkowski (Jagiellonian University)
Dr Mari Pajala (University of Turku)
Professor Małgorzata Sugiera (Jagiellonian University)
The European Popular Culture Association
The European Popular Culture Association (EPCA) promotes the study of popular culture from, in, and about Europe. Popular culture involves a wide range of activities, material forms and audiences. EPCA aims to examine and discuss these different aspects as they relate both to Europe and to Europeans across the globe, whether contemporary or historical.
EUPOP 2020 is organised by:
European Popular Culture Association (EPCA): https://epcablog.wordpress.com/
International Institute for Popular Culture (IIPC): http://iipc.utu.fi/
EPCA President, Kari Kallioniemi, email@example.com
EPCA Vice-President, Pamela Church Gibson, firstname.lastname@example.org
EPCA Secretary, Kimi Kärki, email@example.com
EPCA Membership Secretary, Graham Roberts, firstname.lastname@example.org
Local Organiser Contact: Anna Svetlova, email@example.com and Olga Grzelak,
This Saturday February 22nd Science Cafe’ will open the 2020 Season with a super-interesting talk by Docent Kimi Kärki from the University of Turku, who will talk about “Imagined and real Talking Machines” as usual in Koulu, History Class from 17.00 till 19.00.
Docent Kärki will be talking about the research project he is currently involved in (“Talking Machines. Electronic voice and the interpretation of emotions and self-understanding in human-machine communication in 1960-2020”, funded by Kone Foundation), that studies speech audio as an interface between human and machine. The cultural history of such technologies is partially built on imagined futures within the works of speculative fiction, of which Kärki will focus on science fiction films. He will also talk about the transhumanism as the current meeting point of speculative popular culture and scientific advancements.
As usual, the presentation is for non-experts and is followed by a Q&A session. Come and bring your friends! More info: https://sciencecafeturku.wordpress.com/?fbclid=IwAR2I9Y08fKTeAqlCrGoJjSo8E1EkwFaLGPFRIK_RJkD_WlxyF6vAj2AbER8
Bar Ö, Turku (Linnankatu 7), Tue the 18th February, 2020. 6-9 pm.
A pre-event for the Histories of Death symposium (University of Turku, https://sites.utu.fi/jmc/histories-of-death/), co-organized with the International Institute for Popular Culture (IIPC, http://iipc.utu.fi/).
The talks start at 19:00 sharp, but feel free to come earlier! Even if it’s about death and the apocalypse, there will be good time & lively discussion. Free entry.
MA Marika Ahonen (Cultural History, University of Turku): Romanticized Death in Popular Music
Dr Kimmo Ahonen (Pori Department, Tampere University): The Images of Collective Death in Science Fiction Movies of the 1950s
Docent Kimi Kärki (Cultural History, University of Turku): Cinematic Talking Machines at the Point of Dying
IIPC, Media Studies and Musicology Proudly Presents
Cold War, Aesthetics and Popular Culture
13.12 Sirkkala campus, University of Turku, Janus hall
13.00-13.15 Opening Words: Kari Kallioniemi: Different Cold Wars and their Cultural/Aesthetical Elements
13.15-14.00 Eva Näripea: Otherness in Grigori Kromanov’s The Dead Mountaineer’s Hotel (1979): Bending Genre and Gender
14.00-14.45 John Williamson: The Rearguard of the Revolution? Communism, the state and musicians in Britain at the start of the Cold War.
15.15 Snapshots of Cold War Aesthetics in Popular Culture
Pertti Grönholm: Talking machines and total destruction in science fiction
Laura Antola: Soviet Super-Soldiers vs. The Avengers: Superheroes and the end of the Cold War
Kimmo Laine: Cold War Film Compositions
Kimmo Ahonen: Invaders from Mars (1953) and the Fear of Brainwashing
Kari Kallioniemi: ’When the Wind Blows’: Culture and Aesthetics of British Cold War Invasion Fantasies
17.00-18.00 Screening of document ‘Billy Bragg Goes to Moscow’ (dir. Hannu Puttonen, 1989, 45 min.) The director will introduce the piece.
Assessment: 5 op (ECTS) essay, lecture diary or lecture pass (2 op)
If you are interested of submitting an essay or lecture diary, a student can contact the teacher responsible of the marking: Paavo Oinonen (Cultural History), Laura Saarenmaa (Media Studies, METU1051, METU0146), Kari Kallioniemi, Musicology
IIPC debate 106
Thu 14 November, 4-6 pm (Lecture Hall Hovi, V105, Kaivokatu 12, turku)
Professor Susanna Paasonen (University of Turku)
Dr Kylie Jarrett (Maynooth University)
Professor Ben Light (University of Salford)
The hashtag #NSFW (not safe for work) acts as both a warning and an invitation. NSFW tells users, “We dare you to click on this link! And by the way, don’t do it until after work!” Unlike the specificity of movie and television advisories (“suggestive dialogue,” “sexual content”), NSFW signals, nonspecifically, sexually explicit content that ranges from nude selfies to pornography. The debate looks at how and why social media content is tagged “not safe” and shows how this serves to conflate sexual content and risk. More specifically, we argue that the notion of “unsafety” extends beyond the risk of losing one’s job or being embarrassed at work to an unspecified sense of risk attached to sexually explicit media content and sexual communication in general. We further argue against the categorical effacement of sexual content by means of an all-purpose hashtag and urge us to shift considerations of safety from pictorial properties to issues of context and consent.
The debate is also a book launch event for NSFW: Sex, Humor, and Risk in Social Media (MIT Press, 2019, https://mitpress.mit.edu/books/nsfw) co-authored by Paasonen, Jarrett and Light.
Susanna Paasonen is Professor of Media Studies at the University of Turku, Finland. She is the author of Carnal Resonance: Affect and Online Pornography and Many Splendored Things: Thinking Sex and Play.
Kylie Jarrett is Head of the Department of Media Studies at Maynooth University, Ireland, and author of Feminism, Labour and Digital Media: The Digital Housewife.
Ben Light is Professor of Digital Society at the University of Salford, UK, and the author of Disconnecting with Social Networking Sites.
IIPC Debate 105
Ke 6.11., klo 16-18 (Mediatutkimus E323, Minerva, Kaivokatu 12, Turku)
YTT Tommi Kotonen (Jyväskylän yliopisto)
Äärioikeisto ja populaarikulttuurin kuvastot
Luento käsittelee populaarikulttuurisen kuvaston hyödyntämistä nationalistisessa ja äärioikeistolaisessa viestinnässä suomalaisten ja kansainvälisten esimerkkien valossa. Huolimatta siitä, että liike ja sen toimijat mieltävät itsensä kansallismielisiksi ja näkevät kansallisvaltion politiikan keskeisenä kiinnekohtana, liike ammentaa myös kansainvälisen populaarikulttuurin teemoista ja kuvastoista. Inspiraatiota on haettu Mikki Hiirestä ja Darth Vaderista aina Tolkienin taruihin, suomalaisia esimerkkejä toki unohtamatta. Populaarikulttuuri on tarjonnut myös toiminnan malleja. Esimerkiksi oman käden oikeus eli vigilantismi, jota osaltaan toteuttaa myös suomalainen katupartioliike, on yksi Hollywood-elokuvien kestoteemoista. Tässäkin suhteessa äärioikeisto nojaa siis yleisiin kulttuurisiin käytänteisiin ja muotoihin.
Tommi Kotonen, YTT, on politiikan tutkija joka työskentelee Jyväskylän yliopiston tutkimuskoordinaattorina Suomen Akatemian profilointihankkeessa Kriisit Uudelleenmääriteltynä. Kotonen on aiemmin tutkinut politiikan ja taiteiden välisiä kytköksiä muun muassa amerikkalaisen poliittisen runouden kautta. Nykyisessä tutkimuksessaan Kotonen on keskittynyt äärioikeistoliikkeiden kehitykseen ja niiden luomaan vastakulttuuriin. Hänen tuoreimpiin julkaisuihinsa kuuluu suomalaisen äärioikeistoliikkeen kehitystä kylmän sodan aikana käsittelevä teos Politiikan juoksuhaudat (Atena 2018) sekä tutkimusartikkeli suomalaisten skinheadien underground-julkaisuista.
The Faculty of Humanities and International Institute for Popular Culture (IIPC)
Studying The Creative Industries: Stardom, Locality and Practice
A Panel with:
Professor Richard Dyer, Professor Sara Cohen, Professor Martin Cloonan and Dr Tiina Kapyla
Chaired by Professor John Richardson
Thursday 26 September 2019, 15–18
Venue: Janus, Kaivokatu 12, Sirkkala Campus
Join a panel of distinguished experts to explore and discuss how to research and study the Creative Industries. Amongst the topics to be addressed will be the following:
What are the Creative Industries and how should they be researched?
Is the best approach top-down or bottom up?
What issues arise when research the Creative Industries?
What methodologies should be employed and what not?
How do ensure that they meet equal opportunities’ requirements?
How are practitioners best engaged in research activities.
Each of the panelists will make opening statements explaining their interests in the Creative Industries and how they research them. The Chair will then facilitate a discussion amongst the panelists, before opening up the fllor to questions from the audience.
Sara Cohen is Professor of Music, IPM, University of Liverpool. She have specialised in research on popular music, with a particular interest in anthropological and ethnographic research on music as a social and spatial practice and how people engage with places through music. This has involved a long series of projects on music and cities, including those exploring the development of local music cultures and identities, and how music is related to urban regeneration and landscape, and to cultural tourism, promoting popular music as national heritage, musical migration – in such places as Liverpool – and how popular music is related to the vernacular remembering of local audiences, practices of autobiographical remembering and relating music to ideas and experiences of ageing.
Richard Dyer is Emeritus Professor of Film Studies, King’s College, London. Dyer is the well-known specialist on film studies and he has specialised on entertainment and representation and the relations between them as well as music and film (including melodrama), Italian cinema (especially in its popular forms) and gay/lesbian/queer cultures. He is the author of classic books like Stars (1980), White: Essays on Race and Culture (1997), The Culture of Queers (2001) and Heavenly Bodies: Film Stars and Society (2003) and long-standing reviewer for Sight and Sound and different BBC channels and programs.