Bowie Seminar

Monday, December 12, 2016

Janus Hall (Kaivokatu 10, University of Turku)

12:00 Welcome
12:15 David Bowie’s ‘Alien’ as a queer subject – Anna-Elena Pääkkölä
12:45 Goblin King in Labyrinth: Audiovisual analysis of songs by David Bowie –Sanna Qvick
13:15 David Bowie and the Fascination of Fascism – Kari Kallioniemi

13:45 – 14:00 Break

14:00 Heroism and its reflections: Bowie, Glass, Aphex Twin – John Richardson
14:45 Bowie Covers and Influence in Finland, 1973–99 – Yrjö Heinonen
15:15 – 16:00 Panel Discussion: Remembering Bowie (chair: Kimi Kärki)

16:15 The book launch of the two latest releases from IIPC/Intellect series ’Studies on Popular Culture’: Englishness, Pop and Post-War Britain and Memory, Sound, Space

Organised by the International Institute for Popular Music (IIPC, http://iipc.utu.fi/ )

Facebook event: https://www.facebook.com/events/1040755536050457/

Muistettu Leonard Cohen

MUISTETTU LEONARD COHEN
Seminaari lauluista, muistosta ja muistamisesta

Perjantai 16.12.2016
klo 12:00-14:30

Mediatutkimuksen harjoitusteatteri, Minerva E321

11.30 Kahvitus (ilmoittautuneille)
12.00 Avaussanat: Cohen ja kulttuurinen muisti, dosentti Maarit Leskelä-Kärki
12.15 Leonard Cohen ja laulujen lohtu, FT Silja Laine
12.45 ”En tunnusta!” Leonard Cohen ja Joni Mitchell, FT Kimi Kärki
13.15 ”Terveisin, L.C.”, toimittaja Seppo Pietikäinen
14.00 Elävää musiikkia Leonard Cohenin varhaistuotannon piiristä, Kimi Kärki

Tilaisuus päättyy klo 14.30

Järjestäjät: IIPC & SELMA -tutkimuskeskukset

Ilmoittautumiset 15.12. mennessä:
Tutkimusavustaja (SELMA) Karoliina Sjö, kamasj(at)utu.fi

EUPOP 2017

CFP: EUPOP 2017

banner_eupop2017

University of the Arts London, July 25th – 27nd, 2017

Deadline: Tuesday, February 28th, 2017

Individual paper and panel contributions are welcomed for the sixth annual international conference of the European Popular Culture Association (EPCA), to be held at the University of the Arts London (272 High Holborn), July 25th – 27nd, 2017.

EUPOP 2017 will explore European popular culture in all its various forms. This includes, but is by no means limited to, the following topics: European Film (past and present), Television, Music, Celebrity, The Body, Fashion, New Media, Popular Literature and Graphic Novels, Queer Studies, Sport, Curation, and Digital Culture. One particular strand will be devoted to fascism and popular culture.

The closing date for this call is Tuesday 28th February, 2017.

There will be opportunities for networking and publishing within the EPCA. Presenters at EUPOP 2017 will be encouraged to develop their papers for publication in a number of Intellect journals, including the EPCA’s Journal of European Popular Culture. Journal editors will be working closely with strand convenors – a full list of Intellect journals is available at:
http://www.intellectbooks.com

Papers and Complete Panels for all strands will be subject to peer review. Proposals for individual presentations must not exceed 20 minutes in length, and those for panels limited to 90 minutes. In the latter case, please provide a short description of the panel along with individual abstracts. Poster presentations and video projections are also warmly welcomed.

Proposals comprising a 300-word abstract, your full name, affiliation, and contact details (as a Word-file attachment, not a PDF) should be submitted to Pamela Church Gibson (pamelachurchgibson@gmail.com) by February 28th, 2017. Receipt of proposals will be acknowledged via e-mail.

The conference draft program will be announced in May 2016, along with the conference registration and accommodation details. The likely conference fee will be 200 euros (student), and 250 euros (other). The fee includes coffees, lunches, evening reception & dinner, and EPCA Membership (includes subscription to the European Journal of Popular Culture, Intellect Press).

Keynote speakers will be announced in early 2017.

The European Popular Culture Association

The European Popular Culture Association (EPCA) promotes the study of popular culture from, in, and about Europe. Popular culture involves a wide range of activities, material forms and audiences. EPCA aims to examine and discuss these different aspects as they relate both to Europe and to Europeans across the globe, whether contemporary or historical.

EUPOP 2017 is organised by:

European Popular Culture Association (EPCA): http://epcablog.wordpress.com/

International Institute for Popular Culture (IIPC): http://iipc.utu.fi/

 

Kind Regards,

EPCA President, Adjunct Professor Kari Kallioniemi, kakallio@utu.fi

EPCA Vice-President, Pamela Church Gibson, pamelachurchgibson@gmail.com
EPCA Secretary, IIPC Coordinator, Dr Kimi Kärki, kierka@utu.fi

EPCA Membership Secretary, Dr Graham Roberts, grahamroberts83@gmail.com

IIPC Debate 18 Nov

IIPC Debate #88
Fri Nov 18, 2-4 pm, Janus Hall (Kaivokatu 12, Turku)

Professor Robynn Stilwell (Georgetown University): Ernie Kovacs: Defining Television in Negative Space

Ernie Kovacs was a pioneering figure in early television in the United States. His work across different networks and formats is united by its witty and often surreal use of displaced sound and image, and by its musical organization. Kovacs himself declared the purpose of his work “to bring sight to sound.” By transgressing sound borders familiar from the theatre or cinema, and by disorienting cause and effect, Kovacs fostered the development of a new mode of audiovisual presentation (television) essentially by charting out negative space.

As much of Kovacs’s work is antithetical to analysis seeking wholeness, this talk will explore variants of Peircean semiotics alongside musical analysis and perhaps a dash of quantum mechanics in an attempt to capture aspects of motion and probability that suggest coherence, if not closure.

Robynn Stilwell (Georgetown University) is a musicologist whose research interests center on the meaning of music as cultural work. Publications include essays on Beethoven and cinematic violence, musical form in Jane Austen, rockabilly and “white trash”, figure skating, French film musicals, psychoanalytic film theory and its implications for music and for female subjects, and the boundaries between sound and music in the cinematic soundscapeHer current project is a historical study of audiovisual modality in television.

Imaging Transgender: Trans Aesthetics and the New Popular Cinematic Body

Guest lecture by Professor Cáel M. Keegan

“Imaging Transgender: Trans Aesthetics and the New Popular Cinematic Body”

Wednesday, November 16, 2016, 2-4 pm

Lecture hall II, Main building, University of Turku

The lecture is organized by Gender studies & the International Institute for Popular Culture Studies (IIPC)

 

Abstract:

 

The Matrix (1999) and its sequels have been much-theorized as threshold texts–films that visually defined the advent of the 21st century and expressed the approaching convergence of digital technologies with film production, Asian with Western popular cultures, and the internet with daily life. However, scholarship on The Matrix series remains fatally incomplete, containing no analysis of its production by the world’s first transgender major motion picture directors, Lana and Lilly Wachowski. This talk examines The Matrix and its three sequels as a global cultural event that invented and popularized a new transgender aesthetic–a trans-informed political and phenomenological relationship to dominant reality–that has permanently altered how cinematic time, space, and embodiment are produced, understood, and inhabited. The Matrix series illustrates how, far from being a marginalized or subcultural phenomenon, transgender aesthetics are present and operating at the very center of 21st century global popular culture.

 

Cáel M. Keegan is Assistant Professor of Women, Gender, and Sexuality Studies and Liberal Studies at Grand Valley State University. He has published multiple articles on the aesthetics, material production, and global circulation of queer and transgender images. His current book project, Lana and Lilly Wachowski: Imaging Transgender is the first to interrogate the directors’ filmography from a transgender studies perspective, and the first academic study to contain an interview with Lana Wachowski.

ATMOSPHERES OF LISTENING

ATMOSPHERES OF LISTENING: A SYMPOSIUM ON MUSICAL SITUATIONALITY

Friday, November 25, 2016

Sirkkala Campus, Hovi Lecture Hall (V105)

 

 

PROGRAMME

 

10.15 Opening of the symposium

 

10.30 Birgit Abels (University of Göttingen): Meaning/Meaningfulness. What atmospheres can do for us?

 

11.15 Kimi Kärki (University of Turku): Audiovisual dreamspaces in arena rock

 

12.00 Lunch

 

13.15 Friedlind Riedel (Bauhaus-University Weimar): Felt presence. Music beyond meaning.

 

14.00 Juha Torvinen (University of Turku): Atmosphere, nature, and cross-generational knowledge in music

 

14.45 Coffee

 

15.15 Milla Tiainen (University of Helsinki): Affective attunement as generative atmospheres of music-making.
Connecting affect studies and musical performance studies

 

16.00 John Richardson (University of Turku): Atmospheres of heroism and its reflections. Bowie, Glass, Aphex Twin

 

16.45 Discussion and closing words

 

***

 

PRE-SYMPOSIUM PARTY at Restaurant Koulu (Eerikinkatu 18)

Thursday, November 24, 2016

 

Live music:

 

JOHN RICHARDSON & SLOW FLOE

Supporting: Kimi Kärki and friends

 

Showtime 21.30

 

Welcome!!

 

***

 

This symposium is organized by:

– Academy of Finland Research Fellow Juha Torvinen (University of Turku)

– Doctoral Fellow Friedlind Riedel (Bauhaus-University Weimar)

– Research Project Music, Nature, and Environmental Crises (Juha Torvinen, The Department of Musicology, University of Turku)

– International Institute for Popular Culture (IIPC) (University of Turku)
– The Department of Musicology, University of Turku

 

For more info, contact Juha Torvinen <juha.torvinen@utu.fi>

IIPC Debate 24 Oct

IIPC Debate #87
Mon Oct 24, 4-6 pm, Janus Hall (Kaivokatu 12, Turku)
Professor James Deaville (Carleton University): Tracking Terror: Listening to Jihadist Recruiting Videos

Observers have characterized Western media culture as “ocularcentric” (“seeing is believing”), a bias that dates back to the early Modern age and has been reinforced by the rise of photography in the 19th century and of moving images in the 20th. However, that perspective reveals itself as myopic when considering the products of cultures like the Arabic/Islamic, which are widely recognized as “audiocentric” (Armbrust, 2013). By ignoring the soundtracks of videos that emanate from the Middle East, Western media critics stand not only to provide their readers with a partial picture but also to miss important overt and covert cues within their soundtracks. This applies all the more for “messages” to the West sent by extremist groups like Hamas and ISIS, which use the video format to strike fear into the hearts of good citizens and to find new recruits among disenchanted or disenfranchised (male) youth. This paper explores the soundtracks to Jihadist recruiting videos to uncover their components, elucidate their functions, and assess how effectively they target Western young people. As we shall observe, in the case of Jihadist audiovisual propaganda, “listening is believing.”

James Deaville (School for Studies in Art & Culture: Music, Carleton University, Canada) has published in the Journal of the American Musicological Society, Journal of the Society for American Music, Journal of Musicological Research, and Music and Politics, and has contributed to books published by Oxford, Cambridge, and Routledge, among others. He also edited Music in Television: Channels of Listening (2011). In 2012, he received a two-year grant from the Social Sciences and Humanities Research Council of Canada to explore film trailer auralities. With Dana and Gorzelany-Mostak, he has co-edited a special issue of Music and Politics about music and the 2012 presidential election in the United States. He has co-edited with Christina Baade an anthology for Oxford entitled Music and the Broadcast Experience: Performance, Production, and Audiences (out in September). He has published essays about music and the War in Iraq, the televised soundscape of war between the Vietnam and Persian Gulf Wars, and the role of music and sound in media coverage of the Occupy Movement, among other topics. He is under contract with OUP to co-edit the Oxford Handbook of Music and Advertising, and is working on a book manuscript for the University of California Press on music in cinematic trailers.