IIPC Debate #82
YTT Sami Kolamo (Tampereen yliopisto)
Huippufutis, mediajulkisuus ja (paikka)brändäys
Pe 22.4. 12-14 (Janus-Sali, Kaivokatu 12, Turku)
Viimeisten parin vuosikymmenen aikana jalkapallon megatapahtumista ja eurooppalaisista huippuliigoista on tullut maailman halutuimpia brändejä, joihin useat – positiivista mediajulkisuutta hakevat – suuryhtiöt ja paikat (valtiot, kaupungit) haluaisivat kytkeä logonsa ja sloganinsa. Jalkapallon hypertuotteistumisen yhteydessä on puhuttu jalkapallon “kauppakeskustumisesta”, mikä on vaikuttanut monin tavoin fanien ja jalkapallotapahtumien sekä -tilojen omistajien välisiin suhteisiin. Aihetta avataan useiden esimerkkien avulla, niin megatapahtumien kuin etenkin Englannin Valioliigajoukkueiden kentiltä.
Bio: YTT (tiedotusoppi/mediakulttuuri), FM (kulttuurimaantieteilijä) Sami Kolamo toimii tutkijana Viestinnän, median ja teatterin yksikössä Tampereen yliopistossa. Hän on erikoistunut urheilumaantieteen, (media)fanien, urheilutähtien ja jalkapallon megatapahtumien tutkimiseen.
Seminar for Students & Researchers of Play, Games and Videogames
MONDAY 23.5.2016 15:00–18:00 E123 Sirkkala
After our success last year, we are pleased announce the 2nd Play, Games, and Videogames Seminar to be organised with Maria B. Garda (PhD, University of Łódź). The seminar is open for all University of Turku students and researchers who wish discuss and get feedback on their Bachelor’s, Master’s, or postgraduate thesis related to play, games, or videogames. To apply, submit a 200-word abstract of your work and prepare a 15–20 minute presentation to be held at the seminar. Applicants may additionally attach a longer manuscript to be shared with participants.
Applications should be sent to [firstname.lastname@example.org] before 18.4.2016. To be able to provide decent feedback, this time the number or participants in limited to seven (one less than last year). Those who participated last year are allowed to apply, but in case of selection new applicants have priority. By writing an additional 5-page discussion paper, students can earn 1 ECTS. If you are interested in participating the seminar without presenting research, please send a request to the above address by the deadline.
The seminar is chaired by postdoctoral researcher Veli-Matti Karhulahti (University of Turku).
MARIA B. GARDA has been researching videogames from the perspectives of fantasy, genre, and nostalgia. She is an expert of media history, and her current work focuses on the forms of retrogaming. Garda’s recent publications have dealt with indie games, role-playing games, and roguelikes. She is a co-funder of Replay. The Polish Journal of Game Studies.
Veli-Matti Karhulahti, PhD
University of Turku
Department of Media Studies
IIPC Debate #80
Visiting Professor Bruce Johnson (University of Glasgow & University of Turku)
IIPC ten years on; where from, where to?
Wed 6 April, 2–4 pm, Janus Hall (Kaivokatu 12, Turku)
IIPC is now ten years old, and this IIPC Debate is a look back and ahead. Professor Johnson gave the very first IIPC Debate in 2010.
Bruce Johnson was formerly Professor, School of English, University of New South Wales (UNSW), during which period he also held numerous visiting lectureships and professorships including at the Birmingham Centre for Contemporary Cultural Studies, Edinburgh’s Centre for Advanced Studies in the Humanities, Liverpool’s Institute for Popular Music, and Turku’s Department of Cultural History where he is an Honorary Docent in popular culture and Visiting Professor, having left UNSW in 2005 to take up a range of appointments elsewhere. In addition to the Turku affiliation, he is Adjunct Professor in Communications, University of Technology Sydney and Visiting Professor of Music at the University of Glasgow. Apart from Australia, he has conducted cultural fieldwork in Scandinavia and Russia. He is co-founder of the International Institute for Popular Culture (IIPC), based in the University of Turku, Finland. His teaching and research have ranged historically from the Renaissance to (post)modernity. He also serves on editorial advisory boards of Popular Music and Society, Popular Music, Perfect Beat, Jazz Research Journal and Australian Music Research
His list of academic publications runs to around 400 items, including books and book chapters, journal articles and encyclopaedia entries. A major research theme is the role of sound in the confrontations which generated modernity, and in new theories of cognition. Recent books include a study of popular music and violence (with Martin Cloonan), a collection on sound and sexuality in cinema, and with others currently in print including an edited collection on the historical relationship between jazz and totalitarianism.
IIPC Debate #81
Associate Professor JV Fuqua (Queens College/City University of New York) & Assistant Professor Elizabeth Whitney (City University of New York)
Creative Research Methods: New Modes for Engaged Practice
Mon April 11, 2–4 pm, Janus Hall (Kaivokatu 12, Turku)
Dr. JV Fuqua and Dr. Elizabeth Whitney present research that uses mediated and creative forms that challenge conventional research methods. Dr. Whitney is a performance studies scholar-practitioner who employs a participant observer ethnographic methodology. She will present her collaborative research with Finnish artists on the topic of freedom of expression and arts funding. Dr. Fuqua is a media theorist and historian by training. Their current research combines theory with practice through media capture and curation. Focusing on multiple sites of environmental and industrial disaster and displacement, Fuqua visits “non-places” and records, through sound and image, the vibrant remnants of human and nonhuman forces. This presentation will offer challenges to traditional textual analysis and interpretive modes of scholarship.
JV Fuqua is an associate professor of Media History and Theory in the Department of Media Studies at Queens College/City University of New York. They are currently on research sabbatical leave as a Visiting Scholar in the Department of Media Studies at the University of Turku. Dr. Fuqua’s monograph, Prescription TV: Therapeutic Discourse in the Hospital and at Home, was published by Duke University Press, 2012. From Dead Horse Bay to Detroit: Disaster, Proximity, and Place in the Twenty-First Century, features a monograph and multimodal compendium that documents place, post-industrial toxicity, and environmental precarity through new feminist materialist theory, queer theory, and environmental cultural studies. http://www.jvfuqua.com.
Elizabeth Whitney is a 2015–2016 Fulbright Scholar at University of Turku in the Department of Media Studies. Her research is a collaborative, multimedia project on the subject of arts funding and freedom of expression in Finland. A performance studies scholar-practitioner, she is an assistant professor in the City University of New York at Borough of Manhattan Community College in the Department of Speech, Communication & Theatre Arts. She is currently working on a book project, Lecture as Performance: Theatricalizing Information, exploring the enduring popularity of public lecture from 19th Century U.S. platform circuits to contemporary, mediated forms. http://www.elizabethjwhitney.com.
IIPC Debate #83
Dr Graham Roberts (Nanterre University)
From Superman to the Invisible Man: Masculinity in Advertising in Putin’s Russia
Fri April 29, 3-5pm, Janus Hall (Kaivokatu 12, Turku)
Russia’s President, Vladimir Putin, has made hegemonic, heteronormative masculinity a central pillar, both of his own personal popularity and of Russian national identity. This is reflected in a number of areas of contemporary Russian popular culture, including advertising. In a whole series of advertisements aimed at men, the hegemonic masculinity on display offers the male consuming subject the image of himself as super hero. In these ads, marketing managers exploit specific Soviet myths of masculinity in order to reassure Russian men that ‘masculine’ power and status can be achieved just as much via consumption as through production. We propose to illustrate this, via a study of advertisements in a range of different product categories. We close with an analysis of the 2012 election ads for Putin himself, in which he is portrayed as both the sublime subject of ideology (to misquote Žižek), and the ultimate object of desire.
Graham Roberts teaches Russian language and culture at Nanterre University, just outside Paris. The author of a PhD on Soviet avant-garde literature, he is currently Vice-President of the British-French Association for the Study of Russian Culture. He has recently published a monograph on consumer culture in post-soviet Russia.
CFP: EUPOP 2016
Université Paris Ouest Nanterre La Défense, July 20th – 22nd, 2016
New, extended and final deadline: Thursday, March 31st, 2016
Individual paper and panel contributions are welcomed for the fifth annual international conference of the European Popular Culture Association (EPCA), to be held at the Université Paris Ouest in Nanterre, just outside Paris (Faculty of Foreign Languages and Cultures), July 20th – 22nd, 2016.
EUPOP 2016 will explore European popular culture in all its various forms. This includes, but is by no means limited to, the following topics: European Film (past and present), Television, Music, Celebrity, The Body, Fashion, New Media, Popular Literature and Graphic Novels, Queer Studies, Sport, Curation, and Digital Culture.
The closing date for this call is Thursday 31st March, 2016.
There will be opportunities for networking and publishing within the EPCA. Presenters at EUPOP 2016 will be encouraged to develop their papers for publication in a number of Intellect journals, including the EPCA’s Journal of European Popular Culture. Journal editors will be working closely with strand convenors – a full list of Intellect journals is available at:
Papers and Complete Panels for all strands will be subject to peer review. Proposals for individual presentations must not exceed 20 minutes in length, and those for panels limited to 90 minutes. In the latter case, please provide a short description of the panel along with individual abstracts. Poster presentations and video projections are also warmly welcomed.
Proposals comprising a 300-word abstract, your full name, affiliation, and contact details (as a Word-file attachment, not a PDF) should be submitted to Graham Roberts (email@example.com) by March 31st, 2016. Receipt of proposals will be acknowledged via e-mail.
The conference draft program will be announced in May 2016, along with the conference registration and accommodation details. The likely conference fee will be 200 euros (student), and 250 euros (other). The fee includes coffees, lunches, evening reception & dinner, and EPCA Membership (includes the subscription of the European Journal of Popular Culture, Intellect Press).
Keynote speakers: EPCA President Kari Kallioniemi (University of Turku), Dr Sue Harris (Queen Mary, University of London), and Dave Laing (University of Liverpool).
The European Popular Culture Association
The European Popular Culture Association (EPCA) promotes the study of popular culture from, in, and about Europe. Popular culture involves a wide range of activities, material forms and audiences. EPCA aims to examine and discuss these different aspects as they relate both to Europe and to Europeans across the globe, whether contemporary or historical.
EUPOP 2016 is organised by:
European Popular Culture Association (EPCA): http://epcablog.wordpress.com/
International Institute for Popular Culture (IIPC): http://iipc.utu.fi/
EPCA President, Adjunct Professor Kari Kallioniemi, firstname.lastname@example.org
Dr Graham Roberts, email@example.com
EPCA Vice-President, Pamela Church Gibson, firstname.lastname@example.org
EPCA Secretary, IIPC Coordinator, Dr Kimi Kärki, email@example.com
[updated program, 29th Jan morning!]
Music Research, Now! / Musiikintutkimus, nyt! / Musikforskning, nu!
Friday 29th January, 2016 10-16
Janus Lecture Hall (Artium Building, Sirkkala Campus Area; Kaivokatu 12), University of Turku
The fifth annual Music Research, Now! symposium invites Turku-based researchers from whatever field of study, engaging with music or sound, to present their ongoing research at this event.
The main purpose of the event is to facilitate networking among music researchers from various departments and units at the University of Turku, Åbo Akademi University, Turku University of Applied Sciences, Sibelius Museum, and other educational and cultural institutes in Turku. We especially encourage scholars from such fields as, but not limited to, musicology, music education, cultural history, art and media studies, cultural studies, sociology, philosophy, gender studies, and archive work, to actively participate in the event. The symposium is an opportunity for a researcher to receive feedback from the entire pool of music/sound researchers working in the city.
This year’s event is organised by the Department of Cultural History, with the International Institute for Popular Culture (IIPC).
10.00-10:15 Opening words
10.15-10:30 Sini Mononen: Musiikin traumaattinen merkki vainoamiskokemuksen esityksessä
10:30-10:45 Yrjö Heinonen: “Ulkomusiikillisen” esittäminen musiikissa
10:45-11 Marjaana Virtanen: Kamarimusiikki, vuorovaikutus ja yhteisöllisyys vuoden 2015 Meidän Festivaalilla
11-11:15 Sanna Qvick: Satu peilaa todellisuutta: 2000-luvun suomalaisten satuelokuvien musiikillinen kerronta ja yhteiskunnalliset teemat
11:15-11:30 Liisamaija Hautsalo: Yhteiskunnalliset aiheet 2000-luvun suomalaisessa oopperassa
11:30-11:45 Tiina Käpylä: Nuorten bändiläisten käsityksiä muusikkoudesta. Muusikon subjektipostion ottaminen ja saaminen
11:45-12 Hannu Salmi: Virtuoosit ja viraalisuus – Paganini, Liszt ja julkisuuskulttuurin reitit 1820–1840-lukujen Euroopassa
13:15-13:30 John Richardson: Cute and Zany as Aesthetic Categories in Musical Performances
13:30-13:45 Inka Rantakallio: Discourses of Authenticity and Spirituality in Finnish Underground Rap
13:45-14 Tuomas Auvinen: The Best Seat of the House: Aspects on the Production of Classical Records
14-14:15 Kim Ramstedt: Analysing Aura in Sound Recordings. The Case of Reggae Dubplate Specials
14:15-14:30 Jopi Harri: Mediaeval and early modern manuscripts of Eastern Slavic chant in Finnish public repositories
14:30-14:45 Laila El-Mahgary: Live Entertainment in the Fairytale City of Sharm EL Sheikh
14:45-15 Susanna Välimäki: Music Festival as Social Activism: A Case Study of Meidän Festivaali / Our Festival 2015
15-15:15 Coffee (provided for the speakers and registered)
15:15-16 Kimi Kärki: IIPC Debate #79: Evolutions of the Wall, 1979-2013
Dr Kärki gives the debate in order to celebrate the publication of the edited collection Arena Concert: Music, Media, and Mass Entertainment (edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan and Nicola Spelman), where he provided a chapter on Pink Floyd’s and Roger Waters’ The Wall concerts.
CfP 2/2016: Elokuvamusiikki ja elokuvien äänimaisema
– Film Music and Cinematic Soundscapes (in English below)
WiderScreen 2/2016:n teemana on elokuvamusiikki. Elokuvan historia tuntee monia mytologisoituja ohjaaja–säveltäjä -työpareja, kuten Alfred Hitchcock ja Bernard Herrmann, Sergio Leone ja Ennio Morricone sekä David Lynch ja Angelo Badalamenti. Onpa elokuvan ohjaaja saattanut jopa itse vastata musiikista, ajatellaan vaikka John Carpenterin hyytävää teemaa elokuvaan Halloween (1978).
Teemanumeroon ovat tervetulleita kirjoitukset, joissa käsitellään elokuvamusiikkia tai elokuvan rakennettua äänimaisemaa eri tieteenalojen ja niiden välisten hedelmällisten dialogien näkökulmasta.
Numero on kaksikielinen (englanti / suomi). Vertaisarvioitavien tutkimusartikkelien (4000–7000 sanaa) lisäksi teemanumeroon voi tarjota lyhyempiä katsauksia, haastatteluja, arvioita ja kolumneja. Noin puolen sivun mittainen abstrakti tulee lähettää sähköpostiosoitteeseen: firstname.lastname@example.org 15.1.2016 mennessä ja tekstin lopullinen versio 27.5.2016. Teemanumero ilmestyy alkusyksystä 2015. Lisätietoja antaa vastaava toimittaja FT Kimi Kärki (kierka@utu).
The theme issue of WiderScreen 2/2016 is film music. The history of cinema is full of mythologized director–composer work pairs, such as Alfred Hitchcock and Bernard Herrmann, Sergio Leone and Ennio Morricone, and David Lynch and Angelo Badalamenti. Sometimes the director has composed the music; remember the haunting theme music John Carpenter composed for Halloween (1978).
We invite scholarly contributions that provide insight to film music itself, or the constructed cinematic soundscapes. We encourage interdisciplinary approaches.
The theme issue is bilingual (English / Finnish). (Finnish/English). In addition to peer reviewed article manuscripts (4000-7000 words) we invite shorter book and research reviews, interviews and columns on the subject.
Please send your abstract (max. half a page) to email@example.com by 15th of January 2016. The deadline for the full manuscript is 27th of May 2016. The theme issue will be published in the autumn 2016. Contact Dr Kimi Kärki (Guest Editor) for further information (firstname.lastname@example.org).